Wednesday, November 30, 2011

The Ovation Guitar - The Origin of the Revolutionary Ovation Guitar

!±8± The Ovation Guitar - The Origin of the Revolutionary Ovation Guitar

The Ovation guitar was a revolution in the history of guitar making. Its innovations include the use of synthetic materials in guitar construction, the mathematically designed "bowl back", the use of onboard preamps and piezoelectric pickups, and the offset soundholes of the Adamas series. This article provides a glimpse into the origins of this American original, and its lower priced cousin the Applause guitar.

Charles Kaman, an aeronautical engineer and amateur guitar player, was born in 1917. He played the guitar from an early age, and studied aeronautical engineering in college. After college he worked in helicopter design. At some point, Charlie entered a national guitar competition and made it to the finals. As a result, he got the opportunity to play guitar with the Tommy Dorsey orchestra. Dorsey offered him a job in the band, but Kaman was committed to aeronautics and turned it down.

In 1945, Charlie founded his own helicopter design company, Kaman Aircraft. The company was quite successful and grew steadily until the early 1960s, when the commercial flight division failed. As a result, Kaman was looking to diversify outside of the aircraft and defense related business.

At around this time, Charlie took his warped Martin guitar to the Martin factory for repair. He toured the plant, and was shocked that Martin was building guitars by hand with hammers, animal glue, and clothespins. He offered to buy the company and modernize their manufacturing, but C.F. Martin refused, wanting to keep Martin a family business.

Kaman decided to start his own guitar manufacturing business. He assembled a team of aeronautics engineers to design the ideal acoustic guitar. The result was the Ovation "bowlback", a rounded back made of a fiberglass composite similar to materials used in aircraft construction. The unique shape of the back as designed to focus the soundwaves inside the guitar to maximize the sound transmission.

The first Ovation guitar, the Balladeer, was introduced in 1967. In 1971, Ovation pioneered the acoustic-electric guitar, adding piezo-electric pickups, onboard preamps, and equalizers to some of their guitars. By the 1980s, Ovations had caught on with professional guitar players and were used onstage extensively. Guitarists using Ovations onstage included Glen Campbell, Al DiMeola, Jimmy Page, and many others.

If Charlie Kaman hadn't played the guitar, or hadn't studied aeronautics, or if his Martin hadn't needed a repair at the same time that Kaman Industries needed to diversify, we wouldn't have the Ovation guitar or the Applause guitar today.


The Ovation Guitar - The Origin of the Revolutionary Ovation Guitar

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Monday, November 28, 2011

Ovation Guitars

!±8± Ovation Guitars

History

Making guitars might not be rocket science, but Charlie Kaman applied aerospace and aeronautical science to the manufacturing of the Ovation guitar. Kaman, an aerospace engineer, was a long-time guitarist and wanted to diversify his aerospace company. When he took his Martin guitar to be repaired for a warped neck, he was offered a tour of the factory. He was surprised to find the luthiers there using hand tools, animal glues, and low-tech approaches to guitar making.
Interestingly he offered to buy the Martin guitar company, but was refused -- twice. So he decided to expand his company into guitar production. Like most engineers he approached the problem of making a guitar with engineering precision. He formed a team of people who analyzed problems, formed solutions, and tested them. The Ovation Balladeer was the result of their efforts.

Body

One of the first things people notice about the Ovation guitars is the round back. This was one of those engineering discoveries that Kaman's group made. According to their research, the regular guitar's flat back actually hindered the sound projection. So they chose a round back. In addition they made the back out of a synthetic material -- a composite plastic that Kaman was familiar with due to his experience manufacturing helicopter roto blades. This was another interesting innovation in guitar manufacturing.

Pickups

The acoustic guitars of the day suffered greatly from feedback when guitarists attempted to amplify them. The Ovation guitar was an early adopter of preamps, onboard equalization and piezo pickups. This provided a fantastic improvement in the reduction of feedback. And the sound of Ovation was far more realistic and adjustable than what had been available for standard acoustic guitars. The piezo pickups were another Kaman innovation for the Ovation that was developed through engineering and manufacturing techniques that were standard in the aviation industry.
I am sure the engineers knowledge of aviation electronics helped too.

Celebrity Endorsements

Celebrity endorsements are common in the music industry. Guitar manufacturers feature the celebrities in advertising and often the celebrity's name may appear on a special model guitar in the manufacturer's line. Glen Campbell, a popular entertainer in the 60s who was known for his guitar playing, endorsed the Ovation guitar and frequently played the Ovation on his variety show.
This contributed to Ovation's early success.

Summary

Since the company's inception Ovation guitars have exhibited innovative engineering and design.
From its beginning and continuing to the present, it has created guitars that are still some of the most sought after and desirable acoustic/electrics in the world.


Ovation Guitars

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Saturday, November 26, 2011

Field Test: Boss RC-3 Loop Station thru Roland Cube Street

Battery powered looper and amp test in Darby Metro Park. Playing the Ovation Balladeer thru the Boss RC-3 Loop Station (uses one 9-volt) and Roland Cube Street amp (using six AA batteries) Volume on the Guitar is set at Full Volume on the RC-3 is set at about 3/4 (knob at approx 2 o'clock) On the Instrumental Channel of the Cube Street, the Master Volume is at approx 4.5 (11 o'clock) and the Channel Gain is at approx. 3 (10 o'clock) First click on the RC-3 starts recording. The next click stops recording and immediately engages playback and a quick additional click engages overdub recording of the second layer (guitar lead one). When the phrase starts the thrid time, the RC-3 is still in record mode and the thrid layer (guitar lead two) is added without clicking the pedal. When the song is complete two quick clicks will stop the pedal - although on this song, I use the pedal volume control to do a manual fade. I am using the Kodak Zi8 video camera and the on-camera microphone which is about 20 feet away. I am playing the instrumental section of my song "On Life and Living" from my CD "Solo Sojourn Live" available at cdbaby.com All Rights Reserved ~ Posted by Authors and Content Owners

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Thursday, November 24, 2011

Ovation 1861 AX Standard Balladeer Super Shallow Acoustic Electric Guitar, Black

!±8±Ovation 1861 AX Standard Balladeer Super Shallow Acoustic Electric Guitar, Black

Brand : Ovation
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Post Date : Nov 24, 2011 04:47:59
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This standard balladeer features a hand-selected, deluxe aa solid-spruce top with scalloped bracing, and a super-shallow composite body. its slim bowl is preferred by many stage performers and amplified acoustic guitarists because it feels similar to an electric, yet it retains all the benefits and acoustic properties of ovation’s proven roundback design. a cutaway offers full access to the satin-finished, 5-piece mahogany/maple neck, and a traditional center soundhole is inlaid with an oak-leaf rosette and adorned with mother-of-pearl. the balladeer’s op-pro preamp and ocp-1k pickup produce uncompromising plugged-in performance.

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